Reviews

Director of Indonesia National Gallery

This exhibition deserves to be appreciated because in this exhibition we will see the best artworks by Nonia de la Rosa as the results of her artistic exploration and visual learning which collaborate with the strong tradition of Ramayana which she learns in Indonesia.

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Heru Hikayat. Curator of Art

For me, the first key in facing Nonia’s artworks is by letting go of our attachment to visible things in our surroundings, and try to reach something within ourselves. If we can stand facing the unknown, then we can enjoy her artworks.

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Salva Lorén (fotographer)

The artwork of Nonia proposes us with an enigmatic question. Is she a painter, a creative designer, an artist? Or is she simply a sensitive draftswoman capable of expressingt the movement sof air, the color of the wind, the desires of flowing liquids and dreams like ether expanding into a the poetry of the cosmos?

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Gallery Agora, Nueva York

Nonia De La Rosa’s digital paintings are detailed explorations of controlled chaos. The precise yet finite clarity of computers combines with De La Rosa’s free-flowing colors and warped perspectives. Her psychedelic palette ranges from swirling neon to ethereal wisps of cool blue and silver.

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